My work explores the invisible structures that connect places, memories, bodies and landscapes across time.

Through photography, drawing, sculpture, performance and site-responsive interventions, I trace systems of relation that emerge between distant elements: constellations in the sky, pathways across the land, geological strata beneath the surface, and presences that inhabit spaces beyond immediate perception.

Travel functions as both method and material. Moving through remote territories, I collect fragments, stories, images and gestures that reappear across different works, transforming from one medium into another. Rather than developing isolated projects, I work through a process of continuous migration, where forms evolve, disappear and resurface in new contexts.

My practice investigates how meaning is generated through connection: between archive and landscape, memory and matter, absence and manifestation. Each work becomes part of a larger ecosystem in which images, objects and actions operate as traces of an ongoing search for belonging, relation and transformation.

Photography is often the point of departure, but never the final destination. Images expand into drawings, sculptures, performances, texts and spatial interventions, creating constellations of work that unfold across time and place.

Before the vast territory of the Pacific Ocean, which some call

"the End of the World",

stretches a land that has grown within me for nine months.

Black and white photo of smooth rocks and sand with shadows and textures.

Black and white photo of abstract sand patterns

From the volcanic lands of the North to the primeval rainforests of the West Coast,

Black and white photo of a smoky volcanic mountain landscape with grass in the foreground.

Black and white image of a tall tree, possibly a redwood, with fern leaves in the foreground, sunlight filtering through the canopy.

from the icy peaks of the South to the shores of pristine lakes and blue lagoons, rest the daughters of pure springs.

passing through subterranean starry caves andreturning to the light in the mystical waters of the east.

Large rock formation resembling a human head, surrounded by smaller rocks and sparse vegetation, under a cloudy sky.

Her indigenous name is Aotearoa.

Grounding in Stone
max 5 cm / unique pieces

Bird perched on a leafless tree branch against a painted green landscape backdrop.

Blue parrot perched on a bare tree branch against a green background with foliage at the bottom.

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Aves Mei

captures bird cages in the Bronx Zoo, reflecting places I've lived—sometimes nests, sometimes prisons

Each photo ties to a home, with titles drawn from its vowels, symbolizing memories.

It explores freedom, captivity, and the emotional resonance of space and silence.

Kookaburra perched on a branch amid leafy tree branches, against a painted background of a landscape.

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Roseate spoonbills perched on tree branches in a forest setting with dense foliage and trees in the background.

In Universo, the visible and invisible intertwine in a dance of primordial elements—earth, water, light, song—that find poetic geography within photographic surfaces,

colored threads, and the transparencies of glass. A sense of wonder emerges, as though one could touch the heartbeat of the cosmos hidden within the dust of a childhood garden and the glow of a yet-to-be-named constellation.

It is a circular journey that begins in the shadow of what once was and ascends toward the stars,

stitching together traces of the past and generating new horizons of meaning. A pursuit of returning both matter—and ourselves—to the form of an intimate and universal song.